Zenit 12xp manual




















Temas que van desde 0. Se suministra completo con la multa Industar 50mm f3. Aprox Peso total 1 5 1 ter. Los sujetos? Millions discover their favorite reads on issuu every month. Give your content the digital home it deserves. Get it to any device in seconds.

Publish for free today. Go explore. Enter a new password. Aperture range F2-F16 with click stops at full and half apertures except between F11 and F16 Distance scale: 0. Filter size: 52mm screw Lens mount: 42mm thread, accepts standard single pin automatic lenses and accessories Loading the Camera - Step by step instructions. Insert film cassette [22] slots ensuring into Film Chamber that the second hole [21] projection of engages with a tooth cassette to bottom. The lower Draw out enough film Sprocket Teeth [26] to insert tip of leader should be properly into any of Take-up engaged.

This is especially necessary with twelve exposure films. Fire shutter. Advance film by short strokes of transport Close the back of the camera lever until both top and bottom sprockets are until it clicks shut. Complete Fire shutter. Advance film engaged. If necessary tighten wind-on if necessary until Transport Lever [2] using film on Take-up Spool [22] Transport Lever [2] stops.

Fire shutter and advance film again. Set Frame Counter [4] to zero. Zenith 11 owners see Page 15 for how to set exposure meter. The camera is now ready for use. This is the depth of field scale [13] and works the following way: All lenses when focused on a given subject will show some objects in front of and behind that subject sharply in focus.

Having focused on the If it is the upper one this indicates over-exposure and. You can only view or download manuals with. Is that right? Loved the article and the others that were mentioned. Making New year's resolutions is such an outdated concept, plus, it never seems to work! Why bother? Here are a few tips that might help you. Indie folk duo Tall Heights is back to share some of their favorite moments of their backyard tour across America captured on our Simple Use Reloadable Film Camera, preloaded with the Lomography Color Negative You heard it right!

There is a wine recipe that will develop your black and white film. As a 'system' camera your Zenith will accept a large number of different lenses and additional accessories; we particularly recommend as most suitable those from the Hellos range which will enable you to cope with almost any photographic situation.

Your Zenith is sturdily built to work happily under widely varying conditions but it should always be remembered that as a precision optical instrument it must at all times be treated with due care and consideration and protected from shock, damp, dust, sand and sudden changes of temperature.

With care it will give many years of reliable service - and ; brilliant pictures. This booklet has been provided to enable you to get the best results as quickly as possible and is not intended to be a comprehensive manual of photography. There are many good inexpensive books on photographic technique available and your dealer will be pleased to recommend one suitable for your particular need. Format: 24 x 36mm;using standard 35mm cassettes of 12, 20, 24 or 36 exposure color or black and white film.

Linked to self-timer giving approximately 7 seconds delay. Bright Fresnel focusing screen with central microprism spot. Power source: two Mallory D cells. These should be replaced once a year. Zenith 11 Selenium cell with match-needle read out. Standard Lens: Helio 44M-4, 58mm focal length Construction: 6 elements in 4 groups Diaphragm type: Fully automatic instantly re-open. Aperture range F2-F16 with click stops at full and half apertures except between F11 and F16 Distance scale: 0.

Fire shutter. Advance film by short strokes of transport lever until both top and bottom sprockets are engaged. If necessary tighten film on Take-up Spool [22] by turning the flange at the base of the spool anti-clockwise with the finger and in the cassette by gently turning the Rewind Knob [16] in the direction of.

This is especially necessary with twelve exposure films. Close the back of the camera until it clicks shut. Complete wind-on if necessary until Transport Lever [2] stops. Advance film Transport Lever [2] using short strokes until it stops. The Rewind Knob [16] should revolve while this is being done. Set Film Speed Selector Dial [15] against Indicator [17] appropriate to the speed of the film to be used. Only click-stopped numbered or intermediate positions may be used.

Intermediate positions are proportional. If using ASA film set the selector to ASA but use the next faster shutter speed than indicated by the meter or close the aperture ring by one full stop. Zenith 11 owners see Page 15 for how to set exposure meter. The camera is now ready for use. Set the Speed Dial [1 ] appropriately according to the subject. The dial is marked in figures that represent fractions of a second-i.

It may be turned in either direction but not between "" and "B" and must not be between marked speeds. Look through the Viewfinder [27] and roughly decide what you wish to take remembering you are actually looking through the lens. Focus by turning the Focusing Ring [11] clockwise for close and anti-clockwise for far distance until the subject is sharp and clear on the large viewing screen.

For critical focusing using the inner of the two rings in the center and adjust until the image is clear and undistorted. Since you are viewing and focusing through the actual lens that takes the finished picture you can feel safe in the knowledge that there will be no parallax problems no more cut-off heads in close-up.

The lens is also provided with a scale calibrated in meters but it will seldom be necessary to refer to this. This is the depth of field scale [13] and works the following way: All lenses when focused on a given subject will show some objects in front of and behind that subject sharply in focus. This range is called "Depth of Field" and varies with different lenses.

To use the depth of field scale, first focus on your subject then determine how great a Depth of Field a given aperture will give by reading distances against the two marks for that aperture.

The figure on the left will be the nearest point in focus and that to the right the furthest, thus enabling you to select that aperture which will give the desired Depth of Field. This will switch on the meter and one of two red lights on the right-hand side of the viewing frame will come on.

If it is not possible to get both lights flashing in sequence even at the end of the range of the Aperture Ring then alter the Shutter Speed Dial [1] up or down and repeat the process. The meter fitted in the Zenith 12 XP is very sensitive and in some cases the indicator lights may move from top to bottom without an intermediate 'flashing' stage. In this case choose the exposure at the point of the change from top to bottom when the latitude of modern film will still give you the correct exposure.

A Helpful Hint for Better Exposure The meter measures all the light reaching it and "averages" it to achieve a reading which is correct when dark and light areas are evenly balanced.

When dark and light areas are not evenly balanced such as an illuminated face against a dark doorway or a person against a sun-lit background then it will be necessary to take a close-up reading of the main subject thus excluding the distracting area- and use this setting when you return to your original viewpoint.

The Zenith The Zenith 11 incorporates a built-in selenium exposure meter which needs no batteries. Apart from this it is identical to the Zenith 12 XP described throughout the rest of this booklet. Zenith 11 owners, therefore, should carefully study and follow all the instructions for the 12 XP apart from the meter.



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